MOTION CARD

We have had the best success in color accuracy for final DI using the logo in XYZ or P3 and having the DI facility use a transform LUT to whatever colorspace they are using for DI color correction. Note that the ProRes and Rec709 versions are full frame - they should simply be letterboxed (center extraction) for the scope version. ProRes files are NOT to be used for the DCP.

Important: We will need an opportunity to screen the FilmNation logo rendering in reel 1 of the DCP & the 35mm film out of just the logo prior to the film-out of the entire reel 1 to ensure proper translation of the color.

Please don’t hesitate to contact us via the form below if you have any questions or need additional information regarding Motion Card usage.

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